Categories
3_Animation and Non-Fiction In Process Inspiration

Jonathon Hodgson

Jonathan Hodgson is an internationally renowned animation director based in London, he has twice won BAFTAs for Best Short British Animation in 2000 and 2019. He studied animation at Liverpool Polytechnic and the Royal College of Art. After spending 25 years directing commercials he moved to academia, setting up and leading the Animation degree at Middlesex University where he combines teaching with making personal films. He is the animation director of Wonderland: The Trouble with Love and Sex, the first full length animated documentary on British TV. 

Categories
3_Animation and Non-Fiction In Process Inspiration

William Kentridge

William Kentridge (born 28 April 1955) is a South African artist best known for his prints, drawings, and animated films. These are constructed by filming a drawing, making erasures and changes, and filming it again. He continues this process meticulously, giving each change to the drawing a quarter of a second to two seconds’ screen time. A single drawing will be altered and filmed this way until the end of a scene. These palimpsest-like drawings are later displayed along with the films as finished pieces of art.

See more information on Tate Gallery website

Working process

Examples of charcoal animation

Evocative charcoal drawings of Johannesburg. Has detailed historical overview, but the images could speak for themselves.
Categories
2_Invention, Plasticity and Visual Music 5_Screening and exhibitions In Process

Research 2.4 Bouncing Balls

Types of Ball

Physics of Ball Motion

Animations

Bouncing Balls Adobe Animate Motion Tween

Jazza Adobe Animate motion tweened bouncing ball and curve path.
Aaron Blaise TPPaint Frame by Frame. Exaggerated squash and stretch. Keeps straight line from impact. Redraws up bounce instead of duolicating and reversing to stop things being mechanical.

Tv paint
Frame by Frame

TV Paint Frame by Frame Simple UpdDown Bounce
TVPaint FbF Horizontal Bounce
TV Paint FbF Complex perspective bounce

Categories
2_Invention, Plasticity and Visual Music Animation Techniques In Process Inspiration

Norman McLaren

An artist may be like someone who just hears music and then starts to dance

Norman McLaren (1914 – 1987) was a Scottish Canadian animator, director and producer known for his work for the National Film Board of Canada (NFB). He was a pioneer in a number of areas of animation and filmmaking, including hand-drawn animation, drawn-on-film animation, visual music, abstract film, pixilation and graphical sound.

Experiments in Motion

Tempo: The basics of perception of linear movement: Shows the animator’s table with camera, switch and frame counter. Calibration marks and muscle memory. And shows the difference in perceptions of movement through increasing the number of equal spaced moves of a cut-out circle going from A to B. The greater the number of moves, the slower the movement. We interprete this differently depending on our understanding of context eg whether we think the circle is a large sun moving fast or a small golf ball moving slowly. Ends with interesting abacus type comparison of movements at 1-1000 moves between A and B.

Synaesthesia and experiments in sound

Experimental animation

In this animation McLaren created the sounds through drawing on film. The tall vertical geometric shapes make it seem like a film about speed and impersonality of city life. Reminiscent of Mondrian paintings.

Short films

Cold war allegory. Story of two neighbours who kill each other in a fight about a flower that starts to grow along the fence between them.
A Chairy Story: Amusing story of a man trying to sit on a chair. The chair refuses to be sat on until the chair has sat on the man. metaphor for the importance of equality and politeness and not taking power for granted.