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2_Invention, Plasticity and Visual Music In Process

Synaesthesia

“Synaesthesia: From Greek syn (together) and aisthesis (perception). Meaning “joined perception.” Synesthesia is a condition in which one sense (for example, hearing) issimultaneously perceived as if by one or more additional senses (such as sight). Another form of synesthesia joins objects such as letters, shapes, numbers or people’s names with a sensory perception such as […]

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1_The Basics of Animated Movement 2_Invention, Plasticity and Visual Music In Process Inspiration

Peter Millard

https://vimeo.com/petermillard https://lectureinprogress.com/journal/peter-millard Peter Millard is a London-based animator. He creates his absurdist animations on paper (all recycled) with oil bar and paint. Then he scans the large images in with a large scanner, sizes them up in After Effects before using Premiere Pro to edit. 

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2_Invention, Plasticity and Visual Music In Process

Mary Ellen Bute

Mary Ellen Bute (1906 – 1983) was a pioneer American film animator, producer, and director. Her specialty was visual music. While working in New York City between 1934 and 1953, Bute made fourteen short abstract musical films. Many of these were seen in regular movie theaters usually preceding a prestigious film. Filmography from Wikipedia Synchromy – 1933, collaboration with Joseph Schillinger and Lewis Jacobs [unfinished]. Rhythm […]

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2_Invention, Plasticity and Visual Music In Process

Research 2.3 Visual Music

Abstract Animation or Visual Music Abstract animation of music originated in early experiments to develop machinesto link the musical scale with a corresponding scale of colour and light. The first of such machines was developed long before the advent of film, in 1730 by French mathematician Louis Bertrand Castel. His Ocular Harpsichord replaced the pitches […]

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2_Invention, Plasticity and Visual Music Animation Techniques In Process

Sound Design

Foley sound Sound libraries

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2_Invention, Plasticity and Visual Music In Process Inspiration

Stan Brakhage

Stan Brakhage, (1933-2003) was an American non-narrative filmmaker. He is considered to be one of the most important figures in 20th-century experimental film. Brakhage’s films seek to reveal the universal, in particular exploring themes of birth, mortality, sexuality, and innocence. Influenced by German and Abstract Expressionism and his own visual impairment, he explores the nature of the ‘untutored eye’ where perception […]